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Alex's Analysis Of Any Abject Abuse - Term Papers

Alex's Analysis Of Any Abject Abuse



The destruction of the grand style of the epic is just what Pope
was after in his mock epic, "The Rape of the Lock." Pope had no such
universal goal, or moral pronouncements to make as did Milton. His purpose
was merely to expose the life of the nobility of his time. While Milton
chose blank verse to express the immensity of the landscape of his epic,
Pope chose to utilize the heroic couplet to trivialize this grandeur.
Pope's quick wit bounces the reader along his detailed description of his
parlor-room epic. His content is purposefully trivial, his scope
purposefully thin, his style purposefully light-hearted, and therefore his
choice of form purposefully geared toward the smooth, ...

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Pope is definitely pointing to the "lightness" of the social life
of the privileged, he also recognizes their sincerity in attempting to be
polite and well-mannered and pretend to recognize where the true values lie.

Pope satirizes female vanity. He wrote the poem at the request of
his friend, John Caryll, in an effort to make peace between real-life
lovers. The incident of the lock of hair was factual; Pope's intention was
to dilute with humor the ill feelings aroused by the affair. He was, in
fact, putting a minor incident into perspective, and to this end, chose a
mock-heroic form, composing the poem as a "take-off" epic poetry,
particularly the work of Milton. He is inviting the individuals involved
to laugh at themselves, to see how emotion had inflated their response to
what was really an event of no consequence. For the reader, the incident
becomes a statement about human folly, a lesson on female vanity, and a
satire of the rituals of courtship. ...

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offense" that springs from "amorous causes" and the "mighty contest
s" that rise from "trivial things" (1-2) -- hardly the lofty and weighty
subjects of epic poetry -- and names his Muse "Caryll" (3) for his friend
John Caryll, the relative of the young lord who stole the lock of hair from
Arabella Fermor -- not the proper sort of Muse for epic poetry. By way of
mythological spirits hovering over earthly concerns, Pope gives us sylphs
that are really the spirits of young women like Belinda. Milton's Adam had
the angel Raphael looking out for him; Belinda has Ariel, one of the "light
militia of the lower sky" (42). He jokingly raises Belinda to the exalted
stature proper to epic heroines ...

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PAPER DETAILS
Added: 10/15/2008 04:02:04 PM
Category: English
Type: Premium Paper
Words: 1658
Pages: 7

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