| All Quiet On The Western Front
 Erich Maria Remarque’s , a novel
 set in World War I, centers around the changes wrought by the war on
 one young German soldier. During his time in the war, Remarque’s
 protagonist, Paul Baumer, changes from a rather innocent Romantic to a
 hardened and somewhat caustic veteran. More importantly, during the
 course of this metamorphosis, Baumer disaffiliates himself from those
 societal icons—parents, elders, school, religion—that had been the
 foundation of his pre-enlistment days. This rejection comes about as a
 result of Baumer’s realization that the pre-enlistment society simply
 does not understand the reality of the Great War. His new society,
 then, becomes the Company, his ...
 
 
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 alienated from his former, traditional, society, Baumer simultaneously is able to communicate effectively only with his
 military comrades. Since the novel is told from the first person point
 of view, the reader can see how the words Baumer speaks are at
 variance with his true feelings. In his preface to the novel, Remarque
 maintains that "a generation of men ... were destroyed by the war"
 (Remarque, All Quiet Preface). Indeed, in All Quiet on the Western
 Front, the meaning of language itself is, to a great extent,
 destroyed.
 
 Early in the novel, Baumer notes how his elders had been facile
 with words prior to his enlistment. Specifically, teachers and parents
 had used words, passionately at times, to persuade him and other young
 men to enlist in the war effort. After relating the tale of a teacher
 who exhorted his students to enlist, Baumer states that "teachers
 always carry their feelings ready in their waistcoat pockets, and trot
 them out by the hour" (Remarque, All ...
 
 
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 |   home town. This leave is disastrous for Baumer because he realizes that he can not communicate with the people on the home front
 because of his military experiences and their limited, or nonexistent,
 understanding of the war.
 
 When he first enters his house, for example, Baumer is
 overwhelmed at being home. His joy and relief are such that he cannot
 speak; he can only weep (Remarque, All Quiet VII. 140). When he and
 his mother greet each other, he realizes immediately that he has
 nothing to say to her: "We say very little and I am thankful that she
 asks nothing" (Remarque, All Quiet VII. 141). But finally she does
 speak to him and asks, "’Was it very bad out there, Paul?’" ...
 
 
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