Aristotle’s Rules For Tragedy

Laid Down In Poetics As They Apply To Blood Relations By Sharon Pollock
Aristotle could be considered the first popular literary critic. Unlike Plato, who all but condemned written verse, Aristotle breaks it down and analyses it so as to separate the good from the bad. He studies in great detail what components make a decent epic or tragedy. The main sections he comes up with are form, means and manner. For most drama and verse, Aristotle’s rules are a fairly good measure of the quality of a piece of written work. In modern day however (modern meaning within the last century), certain changes in the nature of dramatic writing have started opening a gap between Aristotelian criticism ...

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Aristotle’s mold. Her play “Blood Relations” sits on the edge of what Aristotle would call tragedy.
Aristotle states that the form of tragedy is an “imitation of a noble and complete action, having the proper magnitude”(Aristotle 6). Here we have Lizzie Borden murdering her own parents in a fit of rage. The murders happen after years of abuse and negative attitudes from almost everyone she knows. The act of murdering one’s parents is far from noble. It could however, be seen as noble seeing as the reason Lizzie kills them is to stand up for her freedom of thought and direction in life.
According to the rules laid down in Poetics, pity and fear arise through misfortune and the recognition of the possibility of falling upon similar misfortune (13). In Blood Relations, pity arises out of the way that Lizzie is treated by her parents and by the way her life turns out after the murders. The reader recognizes that he or she could encounter the same circumstance. Lizzie was ...

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the plot are irrelevant. All characters and events have an “evident effect” on the outcome of the play; they are all “part of the whole” (8). In terms of length, this play is compact. There is no needless banter. It is easy, therefore to comprehend. The reading of such a play will not have the same effect as it will on the stage. It does display the same emotion but not the same intensity as the stage production. The observation of performance allows the audience to soak up displayed emotion rather than processing it mentally, which takes away from the intensity of the play. The emotions are the same, just not as big.
Means can be defined as the language that the writer uses to ...

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Aristotle’s Rules For Tragedy. (2008, October 13). Retrieved September 28, 2020, from
"Aristotle’s Rules For Tragedy.", 13 Oct. 2008. Web. 28 Sep. 2020. <>
"Aristotle’s Rules For Tragedy." October 13, 2008. Accessed September 28, 2020.
"Aristotle’s Rules For Tragedy." October 13, 2008. Accessed September 28, 2020.
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Added: 10/13/2008 10:26:13 AM
Category: English
Type: Free Paper
Words: 1529
Pages: 6

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