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Claude Monet And His Painting - School Essays

Claude Monet And His Painting


Claude Monet was born in Paris on the 14th November, 1840. When he was five years old, he moved to the port town of Le Havre. For much of his childhood, Monet was considered by both his teachers and his parents to be undisciplined and, therefore, unlike ly to make a success of his life. Enforcing this impression, Monet showed no interest in inheriting his father's wholesale grocery. The only subject which seemed to spark any interest in the child was painting. He developed a decent reputation in schoo l for the caricatures he was fond of creating. By the age of fifteen, he was receiving commission for his work.
It was at Le Havre that Monet met the painter čEugne Boudin. While Boudin's ...

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his life travelling throughout Europe, he returned frequently to visit his old friend. The interest that had been sparked some years earlier was refined and shaped and Monet was in no doubt as to the extent to which his outlook on life had been altered:
My eyes were finally opened and I understood nature; I learned at the same time to love it.
Boudin may have opened Monet's eyes, he may have even convinced the young painter to break with tradition and finish his paintings outdoors, but the young protogé had yet to truly experience the country's capital. Before long, the limitations of L e Havre on a burgeoning young artist became all to apparent and, in 1859, Monet left for Paris. However, having displaced himself to the heart of Europe's art-world, Monet soon found himself disillusioned by the confines of long-since established princip les. He rejected the formal art training that was available in Paris. Bored and frustrated, Monet was to do more painting at the very relaxed ...

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artists. The student body, such as it existed, was extremely diverse: young, old; rich, poor; good, bad, etc. Among them all, however, Monet was to meet three very cl ose and influential friends: Frédéric Bazille, Auguste Renoir and Alfred Sisley. This subcategory of Gleyre's students was representative of the studio's diverse constitution. While all three of these painters were talented, they came from very different social backgrounds. Noticeably, Renoir was considerably less well-off then his fellow artists. The unifying force th at was to bind the group for so long, however, was the commitment and intense dedication to their new approach to art. One which was eventually to be labelled ...

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PAPER DETAILS
Added: 2/13/2008 12:00:38 AM
Category: Arts
Type: Premium Paper
Words: 2231
Pages: 9

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