Comparing Status and Income of Mozart, Haydn, and Beethoven

Examine the status of Mozart, Haydn, and Beethoven during their lifetime and comment about how the income from public performances and from publishing music gradually allowed them a degree of independence. (refer to specific dealings with their publishers as part of this.)

The three composers that made up the Viennese School were groundbreaking in the fact that they had begun to get away from the traditional method of patronage to earn their money to their freelancing ways. The composers are on several different levels as far as their liberty from this system, Haydn being the most hindered most of his life, Mozart becoming the partly so, resulting in them not collecting as much fame, and ...

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them to be copied [for others], but to reserve them entirely and exclusively for His Highness; most of all to compose nothing for any other person without prior knowledge and gracious consent."

This was crippling to his ability to become famous but the rest of the contract was very appealing to a man of 29. However, this clause took effect until 1779, when a company named Artaria and Co. began to print music. This was unheard of in The Hapsburg Empire until then, and Haydn was quick to strike up a contract with them. It is supposed that he came to a compromise with his employer, different to the one that originally hired him, as he was losing interest in instrumental music. Haydn became able to sell his music outside of the court but also had gained the benefits of staying in Esterházy, such as his salary, and residence. He would maximize his income by selling his compositional works to different countries, each one entailing a separate fee.

During the 1780's, Haydn's music ...

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PAPER DETAILS
Added: 11/16/2012 04:07:30 AM
Submitted By: erikyo3
Category: Music & Musicians
Type: Premium Paper
Words: 1189
Pages: 5

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