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Death And The Maiden - Film Vs - College Paper

Death And The Maiden - Film Vs


The Polanski film Death and the Maiden is a wonderful and intelligent interpretation of Ariel Dorfman’s human rights problem play. Polanski has produced, in this film, an exceptional piece of direction, in which his own personal, emotional input is evident. The main theme of the play is an extremely personal one for both playwright (and scriptwriter) and director. Both Dorfman and Polanski have had to face and flee the horrors of dictatorship and human rights violations: Dorfman in Chile, under General Augusto Pinochet, and Polanski in Poland under the Nazis. But despite this similarity in past experience, significant differences exist between the original play and the film. Apart ...

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prevalent in the movie. We can see Paulina’s strength from the start. As she strides confidently around the house and violently tears off a piece of chicken, the suggestion that she is unsuited to the domestic position which she has obviously been forced into by the side effects of her traumatic experience need not be made any clearer. Although possessing remarkable strength in both texts, the movie shows a much stronger, almost completely masculine Paulina. This Paulina has been almost entirely defeminized by her ordeal, physically, symbolised by the scarred breast and her desire to “adopt” a child, which also serves as a glimpse of the vulnerable element of womanhood in her character that still remains. Throughout the bout of verbal jousting that goes on in the opening scene Paulina is able to hold her ground much more firmly than she appears to do in the play. In Polanski’s version of the scene she actually manages to use her domestic role to gain power ...

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Death And The Maiden - Film Vs. (2005, September 22). Retrieved December 23, 2024, from http://www.essayworld.com/essays/Death-And-The-Maiden-Film-Vs/33735
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PAPER DETAILS
Added: 9/22/2005 09:22:45 PM
Category: English
Type: Premium Paper
Words: 1139
Pages: 5

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