Othello
The tragic hero is a man of noble stature. He is not an ordinary man, but a man with outstanding quality and greatness about him. His own destruction is for a greater cause or principle. Othello’s downfall is his own fault as a result of his own free choice, but his misfortune is not justifiably deserved. His death was seen as a waste of human potential. His death was not a pure loss, because it resulted in greater knowledge, the knowledge being that everyone became aware of Iago’s wrong doing and deceitfulness.
According to Aristotle a tragic hero consists of five common characteristics; the first being that the hero is usually of noble birth. The second being hamartia, (the tragic ...
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envious plots of Iago. His love is so strong that by the end of the play love becomes his demise.
The most radical change during the course of the drama is undergone by the protagonist, the Moor. Robert Di Yanni in “Character Revealed through Dialogue” states that the deteriorated transformation which Othello undergoes is noticeable in his speech:
Othello’s language, like Iago’s, reveals his character and his decline from a courageous and confident leader to a jealous lover distracted to madness by Iago’s insinuations about his wife’s infidelity. The elegance and control, even the exaltation of his early speeches, give way to the crude degradation of his later remarks. (123)
David Bevington in William Shakespeare: Four Tragedies describes many fine virtues which reside within the general:
Othello’s blackness, like that of the natives dwelling in heathen lands, could betoken to Elizabethan audiences an innocent proneness to accept Christianity, and Othello is one who has ...
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what Othello does not know. From that omniscient view, they look upon this tortured human being with a strong sense of the irony and tragedy of his position. (39)
From the text of the play a number of clues can be gleaned which round out the description of the general. In William Shakespeare: The Tragedies, Paul A. Jorgensen describes the general in Othello:
Though scarcely the “barbarian” (1.3.353) he is called, the Moor is emphatically black, probably rough, even fearsome, in appearance, and a foreign mercenary from Mauritania in refined Venice. Though of royal blood, since the age of seven he had a restrictive, painful life, being sold into slavery and spending most of his ...
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"Othello." Essayworld.com. April 27, 2011. Accessed December 23, 2024. http://www.essayworld.com/essays/Othello/98517.
"Othello." Essayworld.com. April 27, 2011. Accessed December 23, 2024. http://www.essayworld.com/essays/Othello/98517.
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