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Practicality Vs. Romance: Love Conquers All - Papers

Practicality Vs. Romance: Love Conquers All



A marriage proposal may be based on either practicality or romance. When comparing Jane Austen's passage to that of Charles Dickens, one sees the difference between a marriage proposal of realism and a proposal which comes straight from the heart. The two types of proposals merit different strategies in their arguments to the women who weild the power of ultimate acceptance or rejection.
First of all, the two men in these passages go about asking for the woman's hand in marriage in extremely different ways such as in their overall attitudes toward the proposal itself. For example, in Austen's passage the man's "reasons for marrying are, first, that [he] thinks it a right thing for ...

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taken the practical way out. On the other hand, in Dickens's passage, the man takes the more romantic approach. He quotes, "You know what I am going to say. I love you. ...what I mean is that I am under the influence of some tremendous attraction which I have resisted in vain and which overmasters me. You could draw me to fire... you could draw me to any death... but if you would return a favorable answer to my offer of myself in marriage, you could draw me to any good." This man wants to marry the woman for the reason that he should: he loves her. He doesn't have any other motives in mind, unlike the clergyman who plans to marry because he thinks he should.
However, the intended effects of the proposals on the women being addressed are likely to differ greatly due to the presentations and true intentions of the two men. Austen's proposal would be more likely to be rejected because of the lack of emotion involved which would inevitably prevent lasting happiness. His ...

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Practicality Vs. Romance: Love Conquers All. (2006, May 15). Retrieved May 1, 2024, from http://www.essayworld.com/essays/Practicality-Vs-Romance-Love-Conquers-All/45945
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PAPER DETAILS
Added: 5/15/2006 01:55:02 PM
Category: English
Type: Premium Paper
Words: 511
Pages: 2

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