Sybolism In White Fang

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so vile as to subdue yet another victim (White Fang) into his ever-growing underground slavery prison camps. The greed for money and profit is the only need for this “prison camp”; the dog-fighting gambling is their prison cell. A comparison between the bulldog Cherokee and death itself can be made. Once death has you, there is no way of escaping. When Cherokee had White Fang gripped between his jaws, “There was no escaping that grip. It was like Fate itself, and was inexorable,” (London 139). Surely enough, God (Weedon Scott) came along and saved White Fang from the grips of evil. The cold-heartedness of evil can be overcome with the heat and light of good. The care and kindness of such like Weedon Scott for all existing creatures alike. Many other symbols deep within this novel lay rest assured, but it is hard to catch them all in such a detailed book as this.
With a closer inspection and a deep analysis of a novel, many small but nonetheless ...

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