The 411 On Copyright For Net P

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viewing public. Stacy Rosenstock's portfolio is an example of the excellent photo art available for viewing on the Net.
Photographer/author/adventurer Philip Greenspun uses photos to accompany text in Travels With Samantha Mr. Greenspun says that viewer response is one of the rewards for publishing on the Net.[2]
The Net is a unique medium for photographers, offering one-on-one feedback from viewers, fellow photographers and critics on a scale not available from the typical art gallery or magazine venue. The scale is larger in terms of the number of potential viewers and the boarderless international viewing audience who may choose to browse.
A computer savvy photographer may create a homepage portfolio or seek display with one of the on-line galleries such as that Digital Wave Gallery, or that On Line Gallery.
A photographer choosing the Net as a display venue can also use the net to learn about copyrights. The American Society for media Photographers offers easy to read ...

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of photo, some tangible print would still be required for registration.[9]
The problem of ``fixation'` as it relates to photo's on the Net will usually arise in the context of whether or not a photograph was ``copied'` by an infringer.[10] Certain ephemeral artworks like the type produced by Christo, have been the subject of controversy in terms of the fixation requirement for copyright protection.[11]
In the context of copyright protection for computer programs the Ninth Circuit held in MAI Systems Corp. v. Peak Computer Inc., that ``copying for purposes of copyright law occurs when a computer program is transferred from a permanent storage device to a computer's RAM [random access ...

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