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The Bicycle Thief - Online Term Paper

The Bicycle Thief

Another fine example of neorealism is (1948), written by Cesare Zavattini and directed by Vittorio De Sica. The narrative of this film unfolds in post-W.W.II times. The film is a portrait of the post-war Italian disadvantaged class (the majority) in their search for self-respect. It is a time of struggle for the Italian people, amplified by a shortage of employment and lack of social services. In the first scenes of the film, these conditions are evident as Antonio Ricci (Lamberto Maggiorami) meets his spouse Maria (Lianalla Carell) on his way back home. We see the "men" arguing at the employment "office" as the "women" argue about the shortage of water. Although the ...

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the pawn shop, and the next morning when the family joyfully interacts before setting out for work. These scenes contain the promises that a modest job can bring and the dignity and pride of being able to once more function within Italian society. The embodiment of this self-respect is shown when Antonio and his son Bruno (Enzo Staicca) both smile at Maria as they leave home.
Self-respect and all the related values such as pride, dignity, modesty and honor are very important in Italian society. Witness Bruno, whom at a young age, works full time at a gas station. Bruno's contributions to the Ricci family make him a "man" and strip him of his innocence. Being able to work is an optimistic endeavor which Bruno wholeheartedly engages in.

The tragedy is not Antonio's previous two years of unemployment- it is that he has no future in his new job, due to the theft of his bike. Antonio must face this tragedy with no public support other than his friend Baiocco. ...

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The Bicycle Thief. (2008, April 22). Retrieved December 23, 2024, from http://www.essayworld.com/essays/The-Bicycle-Thief/82473

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PAPER DETAILS

Added: 4/22/2008 12:42:49 AM
Category: English
Type: Premium Paper
Words: 765
Pages: 3

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