The Life Of Deadheads And Music Of The Grateful Dead
"If a man does not keep pace with his companions, perhaps it is because he
hears a different drummer. Let him step to the music which he hears,
however measured or far away." - Henry David Thoreau
In 1967, Timothy Leary persuaded America's youth to “tune in, turn
on, and drop out.” Thousands of young adults literally heard the “far away
music” and, to the dismay of their parents, marched away. America's
children grew their hair, burned their bras and draft cards and permanently
changed their wardrobes. To their delight, these individual cultural
refugees discovered they were not alone. These countercultural groups
coalesced, establishing norms and values so attractive, ...
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A Deadhead, according to the
authors of Skeleton Key: A Dictionary for Deadheads, is “someone who loves
-- and draws meaning from -- the music of the Grateful Dead and the
experience of Dead shows, and builds community with others who feel the
same way” (Shenk 60).
To elaborate on this in more objective terms, research shows the
top four characteristic influences on the life of Deadheads are (in order):
The Dead, Friends, Love, and Family. In this same survey, below the mean
are: Money, Work, and Sex, (Scott 343). From 1965 to 1995 the rock group,
The Grateful Dead, has attracted a group of people known as Deadheads who
follow the band everywhere they go. Large numbers of them live in their
vans and cars and travel from show to show, even without tickets, or any
means to get them. They make their money in the parking lot (outside the
shows), selling self-made tie-dies, beaded necklaces and bracelets, food
and beverages, and other random items. They have their own little ...
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larger culture” (Zellner
vii). If this “deliberate opposition” this rebellion, to what their
parents, teachers, society, government, and religious leaders had been
forcing on them did not exist, then Deadheads would never have formed such
an identifiable group with such staying power.
Youths used music to express independence from their elders, to
demonstrate their distrust of and disgust for society as their
parents embodied it....[Their] ‘counterculture' peaked in
the
late 1960s, when people under 30 rebelled against American life,
the Vietnam War, money, materialism and everyone over 30
(Folkers 6).
In their rejection of society, they seem to march ...
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"The Life Of Deadheads And Music Of The Grateful Dead." Essayworld.com. October 1, 2008. Accessed November 22, 2024. http://www.essayworld.com/essays/The-Life-Deadheads-Music-Grateful-Dead/90795.
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