The Sinister Beauty Of Death

Throughout the history of human kind, there have existed a significant number of poets, who did not care to write about “happy things.” Rather, they concerned themselves with unpleasant and sinister concepts, such as death. Fascination and personification of death has become a common theme in poetry, but very few poets mastered it as well as Emily Dickinson did. Although most of Dickinson’s poems are morbid, a reader has no right to overlook the aesthetic beauty with which she embellishes her “dark” art. It is apparent that for Dickinson, death is more than an event, which occurs at least once in a lifetime of every being. For her, death is a person, who ...

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Moreover, her tranquil tone underscores the uselessness of running away from fate. Therefore, when He comes, we should be ready to step into His carriage and not be afraid. He is only a part of our lives.
Even though different people meet Him at different times in their lives, Death is inevitable. It is a phenomenon that will occur, whether a person wants it or not. Emily Dickinson suggests that when it comes, we should not indulge in fighting Him, rather, we should come along slowly and smoothly, looking back at what we are leaving behind.
We slowly drove – He knew no haste
My labor and my leisure too,
For His Civility (Dickinson, 367)
This stanza clearly indicates Dickinson’s admiration for “His Civility.” She bows down to the omnipotent He, who knows no haste. She can and will not defy him, for before Him, she is meek as a lamb. She is only a human being, a vulnerable being, whereas, He is eternal and ubiquitous. Hence, running away from Him ...

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The Sinister Beauty Of Death. (2003, December 28). Retrieved March 8, 2021, from
"The Sinister Beauty Of Death.", 28 Dec. 2003. Web. 8 Mar. 2021. <>
"The Sinister Beauty Of Death." December 28, 2003. Accessed March 8, 2021.
"The Sinister Beauty Of Death." December 28, 2003. Accessed March 8, 2021.
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Added: 12/28/2003 09:13:30 PM
Category: Miscellaneous
Type: Free Paper
Words: 976
Pages: 4

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