The Tempest 3
Explain how Ariel and Caliban serve as character foils for each other. Be sure to consider their physical appearance and their roles as servants to Prospero.
In the world of The Tempest , Ariel, the airy spirit, and Caliban, the earthy monster, can be described as character foils. Unlike and contrasted as they are, they have some traits in common. They both have an aversion to labor and a longing for liberty. Also, they have a primitive sense of humor, a fondness for tricks and pranks, and a spontaneous and unsophisticated love of nature. Furthermore, deeper inside them, one has a fear of a higher power and the other a craving for affection and approbation. Thus, the contrast between ...
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thin air.
Caliban, the son of the evil witch Sycorax, is the perfect brute, who would be petted and patted, given food and drink, and taught to speak. Caliban learns language only to turn it against itself. He becomes vindictive and rewards his master’s, Prospero, efforts with curses. His developed consciousness leads him into deeper enslavement, inducing him to overeach his limits by attempting to murder his lord. Earlier, he became rebellious and attempted to "violate" his master’s daughter, the innocent, pure Miranda. He later, after getting drunk, turns on Prospero and professes his loyalty to Stephano.
In conclusion, Ariel is considered to be beyond humanity at the spiritual end of the scale and Caliban is beneath humanity at the animal end of the scale. In addition, Ariel rides "on the curl’d clouds" and Caliban liveson "this hard rock." Caliban and Ariel exist at opposite sides of the spectrum and because of this, they are characters foils to each ...
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He guides her from her early years on the island all the way through her first meeting of human contact. Miranda had to grow up on a deserted island with no other human contact and having to live by and trust only one person’s point of view. It is hard for us the fathom the idea, but to her it was all she knew. Her trust in her father was unparallel to any other. She is a product of nurture; she had no other choice. Miranda could not be a product of nature simply because she only had her father to look up to, abide by, and learn from, as a result of having no other human contact. To be a product of nature one has to be brought up in an environment in which there are many things ...
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"The Tempest 3." Essayworld.com. March 1, 2008. Accessed April 28, 2024. http://www.essayworld.com/essays/The-Tempest-3/79851.
"The Tempest 3." Essayworld.com. March 1, 2008. Accessed April 28, 2024. http://www.essayworld.com/essays/The-Tempest-3/79851.
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