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The Use Of Montage In Battleship Potemkin - Online Term Paper

The Use Of Montage In Battleship Potemkin

Argument of Film:

Sergei Eisenstein's 1925 classic Battleship Potemkin contains the most potent use of sustained montage ever put on film. It prompted the German filmmaker Max Reinhardt, on watching it for the first time, to declare: "The theatre died tonight! Theatre is dead." It also resulted in such an effective depiction of rebellion through the use of montage technique that the film was banned in several countries for fear that it would evoke rebellion among the population.
The sequence that is considered to be the most effective example of montage on film is a 6-minute scene in The Battleship of massacre of innocent citizens by czarist troops marching down a long flight of steps ...

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a scene, and replacing it with a juxtaposition of multi-layered images aimed at achieving maximum dramatic and emotional impact.
Eisenstein also uses the close up and long shot technique very effectively in this scene. The long shots of chaotic movement and close ups of soldiers' feet showing rhythmic advance and tempo emphasize the juxtaposition of opposites. Long shots of the mass of people are shown versus close ups of individuals. By cutting between the fearful faces of the unarmed citizens and the faceless troops in uniform, he created an argument for the people against the Czarist State.
The film-maker was so successful in his aim of creating a sequence of images "whose total emotional effect is greater than the sum of its parts" that the Odessa Steps sequence, though fictional, is often referred to as if it really ...

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The Use Of Montage In Battleship Potemkin. (2015, August 28). Retrieved March 28, 2025, from http://www.essayworld.com/essays/The-Use-Of-Montage-Battleship-Potemkin/104939

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PAPER DETAILS

Added: 8/28/2015 06:26:00 AM
Category: Film & Theater
Type: Premium Paper
Words: 331
Pages: 2

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