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The Veduta alla Madonnina - Online Term Paper

The Veduta alla Madonnina

The Veduta alla Madonnina was named after the little fresco of the Madonna at the end of the walkway that is shown in the painting (Magnani, 1986). But even if a viewer of the painting was uninformed of the fact, the artist's perspective of the wide walkway leading down the hill, juxtaposed with the town rooftops in the foreground and the hillside in the distance, allows the imagination to visualize a young girl running down the walkway to seek solace. Learning about the little fresco, one wonders if the girl is fleeing towards the comfort offered by the presence of the Madonna. Till, one notices the setting of towering houses seemingly closing in on the walkway, the tiny slit windows, and ...

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one of the oldest families in Pontito. This means that Maria has to pretend to be shy, demure, and pliable. Whereas her natural personality is anything but! Little wonder, then, that Maria escapes into surroundings where she can give free rein to her natural personality at any and every given opportunity. The hills hold another secret as well; one, which would cause Maria no little grief with her family, if discovered. For this is where she holds her secret trysts with her lover, Franco. Franco, the son of one of the poorer farmers in the district is not someone who Maria's family would approve of. Yet, every afternoon, the young girl runs from the shadows into the sunlight of the hills to meet and cavort with her young lover in gay abandon. Indeed, watching the passion and intensity of the two, one simply knows that there will soon come a day when the walkway will see not one, but two figures, walking away from Pontito once and for all.

Works Cited

Magnani, F. "Veduta ...

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The Veduta alla Madonnina. (2016, June 5). Retrieved January 22, 2025, from http://www.essayworld.com/essays/The-Veduta-alla-Madonnina/105683

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PAPER DETAILS

Added: 6/5/2016 08:17:14 AM
Category: Arts
Type: Premium Paper
Words: 403
Pages: 2

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