It’s been ten years since the English seized on Detroit techno, Chicago house, and New York garage as the seeds of what’s generally agreed—over there, at least—to be the most significant music since punk, and they’re celebrating with a slew of historical studies. Simon Reynolds attempts to bridge ...
Save Paper - Premium Paper - Words: 682 - Pages: 3
1
JOIN NOW
Join today and get instant access to over 50,000+ essays
Save Paper