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15 Century Painter - College Essays

15 Century Painter

Abstract

This paper discusses the revolutionary usage of perspective, three-dimensional representation of painting on a flat surface began to seep into art around the time of the Renaissance. This style added a realistic quality to paintings starting around the 1400’s. By reflecting on various resources I will report on these perspectives by comparing several pieces of Renaissance art.

Linear perspective, or mathematical perspective, involves projecting the three-dimensional world onto a two-dimensional surface, such as paper or canvas (Art Institute of Chicago, 2003). A great example of the linear perspective can be found in Tommasso diSer Giovalnni di Mone Cassais’ painting ...

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kind of framed niche commonly seen in churches is called an aedicula (Stokstad, 2007). The painting stands 21’ x 10’5”. Pure vibrant colors add to the paintings life-like quality as its size makes the viewer feel there could actually be a hole in the wall where the barreled-vault stretches behind. Structured lines throughout the painting add to the point of focus, which is Jesus on the crucifix. The design is complimentary of the sign of the cross with arranged symmetry.

The painting can be divided into three sections; the figure of God standing behind Jesus being crucified, the Virgin Mary and St. John the Baptist to Jesus’ immediate left or right, and the donors or commissioners of the painting on the outsides of the columns in the painting. ...

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PAPER DETAILS

Added: 6/4/2012 10:55:10 AM
Submitted By: Azmat7
Category: Arts
Type: Free Paper
Words: 304
Pages: 2

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