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A Good Man Is Hard To Find - Term Papers

A Good Man Is Hard To Find


Flannery O’Connor "" A Southern American novelist and short story writer, Miss O’ Connor’s career spanned the 1950s and early ‘60s, a time when the South was dominated by Protestant Christians. O’Connor was born and raised Catholic. She was a fundamentalist and a Christian moralist whose powerful apocalyptic fiction is focused in the South. Flannery O’Connor was born March 25, 1925, in Savannah, Georgia. O’ Connor grew up on a farm with her parents Regina and Edward O’ Connor. At the age of five, she taught a chicken to walk backwards. O’Connor attended Georgia State College for women, now Georgia College, in Milledgeville, majoring in sociology. She had showed a gift for ...

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the hearts, lungs, and kidneys. Her father died of the disease when she was fifteen (Blythe 49). O’Connor would have to walk with crutches for the rest of her life. By her death at the age of 39, Flannery O’Connor won a prominent place in modern American literature. She was an anomaly among post-World War II writers, a Roman Catholic from the Bible–Belt South, whose stated purpose was to reveal the mystery of God’s grace in everyday life. Aware that few readers shared her faith, O’Connor chose to depict salvation through shocking, often violent action upon characters who were spiritually or physically grotesque (Ryiley 334). Flannery O’Connor’s significance as a writer is her original use of religion. Like no other short story writer, she dramatizes religious themes in her fiction stories. She is established as one of the most gifted and original fiction writers of the 20th century. "Everything That Rise must converge," and " Revelation" won first prize in ...

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knew best, the rural South. She saw her world as sacrament, brushed with grace, twisted, beaten, but still straining toward her belief in God. The settings of her stories and novels are either Georgia or Tennessee, often backwoods or rural areas. She gives her characters a southern accent because this is the area she knows best. O’ Connor uses common symbols, such as sunsets that resemble blood drenched Eucharistic host, preening peacocks that represent Christ’s transfiguration, and the trees themselves writhe in spiritual agony (Bloom 49). Some critic’s say that she is trying to convert her readers, whom she assumes are non-believers. The story "" begins with a family planing to ...

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PAPER DETAILS
Added: 7/31/2006 08:01:43 PM
Category: English
Type: Premium Paper
Words: 1445
Pages: 6

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