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Assyrian Art - Term Papers

Assyrian Art

The reliefs from the palace of King Assurnasirpal II at Nimrud play an important role in portraying the power and importance of the Assyrian king. These reliefs are similar to other Assyrian reliefs in terms of their purpose; however, there is a contrast in the methods used to glorify the king. By examining such factors as style, iconography and historical significance, we find many similarities and differences between the "ceremonial" reliefs and the more common reliefs depicting war and hunting.
The reliefs belonging to the sacred or "ceremonial" category consist of panels depicting a sacred tree, a human headed genius fertilizing a sacred tree, a griffin fertilizing a sacred tree, and ...

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the king's power and god-like divinity through propagandistic iconography and stylization.
To portray the king's god-like divinity, the reliefs represent the deities and Assurnasirpal in a similar manner. First of all, hierarchic scale is almost absent since all the figures are closely related in size, with Assurnasirpal being only slightly shorter than the deities. In historical context, this shows that Assyrian kings were closely associated with deities, but were not considered gods themselves. This lack of hierarchic scale is also seen in the Lion Hunt of Assurbanipal, where king Assurbanipal is shown slightly larger than his servants.
Secondly, the deities and Assurnasirpal are similar in stance and stylization. All the figures have their head and legs shown in profile, while the torso is shown halfway frontal. In addition, the figures maintain a stiff vertical stance with their arms extended in either straight lines or are stiffly bent into a ninety-degree angle. ...

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Assyrian Art. (2008, December 20). Retrieved May 3, 2024, from http://www.essayworld.com/essays/Assyrian-Art/94932

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PAPER DETAILS

Added: 12/20/2008 09:30:10 PM
Category: American History
Type: Premium Paper
Words: 1112
Pages: 5

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