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Chaplin's, The Kid - School Essays

Chaplin's, The Kid

Like Moses among the bullrushes Oedipus on the mountainside, or Snow White in her Disneyland forest, Charlie Chaplin's The Kid is a tale whose underlying archetype has enthralled audiences of all ages: the abandoned child found in the wilderness. But unlike his more privileged mythological predecessors, who at least had the good fortune to be deposited in lush, natural surroundings, Chaplin's cast-off child is discovered among, the ignoble detritus of modern society. A garbage-strewn alley in the seedy Red Light District in Los Angeles' Chinatown of the 1920s serves as the shooting location, re-creating a mean street from Chaplin's feral boyhood in the slums of South London.
Ambling down ...

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disposal. Just as he is about to surrender himself to the joys of his first smoke of the day, his tranquillity is shattered by earsplitting distress signals from the squalling infant who has been abandoned on the garbage heap, plaintively demanding to be heard by someone, anyone.
Taking one glance at that miserable child, streetwise Charlie instinctively looks up as if to quiz both the refuse-throwing householders and the heavens above as to just exactly where this baby has come from. But before he can even begin to explore that question, a rapid-fire series of comic interactions with a neighborhood cop firmly establishes Charlie's predicament of mistaken paternal identity: like it or not, once he demonstrates his better nature by resisting his impulse to toss the unwanted baby down the nearest sewer, the kid is his for life. What follows is a series of picaresque father-son adventures for this flotsam pair of castoffs from the Industrial Revolution in this comedy that Chaplin ...

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PAPER DETAILS

Added: 8/25/2006 02:06:00 PM
Category: Book Reports
Type: Premium Paper
Words: 905
Pages: 4

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