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David Sculptures - College Paper

David Sculptures

David, who was destined to be the second king of Israel, destroyed the Philistine giant Goliath with stone and a sling. Donatello, Verrocchio, Michelangelo, and Bernini each designed a sculpture of David. However, the sculptures are drastically different from one another. Each one is unique in its own certain way.
Donatello, whose David was the first life-size nude statue since Classical times, struck a balance between Classicism and the realism by presenting a very real image of an Italian peasant boy in the form of a Classical nude figure. Although Donatello was inspired by Classical figures, he did not choose a Greek youth in his prime as a model for his David. Instead, he chooses a ...

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a sculpture of David, was the most important and imaginative sculptor of the mid-fifteenth century. This figure of the youthful David is one of the most beloved and famous works of its time. In Verrocchio's David, we see a strong contrast to Donatello's treatment of the same subject. Although both artists choose to portray David as an adolescent, Verrocchio's brave man "appears somewhat older and excludes pride and self-confidence rather than a dreamy gaze of disbelief" (Fichner-Rathus 334). Donatello balanced realistic elements with an idealized Classically inspired torso whereas Verrocchio's goal was absolutely realism in minute details. The sculptures also differ in terms of technique. Donatello's David is mainly a closed-form sculpture. The objects and limbs are centered around an S-curve stance, which balanced his human form. Verrocchio's sculpture is more open. For example, the bared sword and elbow are sticking out, away from the central core. "Donatello's graceful pose had ...

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David Sculptures. (2007, July 7). Retrieved January 6, 2026, from http://www.essayworld.com/essays/David-Sculptures/67638

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PAPER DETAILS

Added: 7/7/2007 03:36:51 PM
Category: American History
Type: Premium Paper
Words: 909
Pages: 4

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