Donatello

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“David” of Michelangelo, which served the same purpose, eclipsed it. More of 's early works which were still partly Gothic are the impressive seated marble figure of St. John the Evangelist for the cathedral and a wooden crucifix in the church of Sta. Croce.
The full power of first appeared in two marble statues, "St. Mark" and "St. George" which were completed in 1415. "St. George" has been replaced and is now in the Bargello. For the first time, the human body is rendered as a functional organism. The same qualities came in the series of five prophet statues that did beginning in 1416. The statues were of beardless and bearded prophets as well as a group of Abraham and Isaac in 1416-1421 and also the "Zuccone" and "Jeremiah". "Zuccone" is famous as the finest of the campanile statues and one of the artist's masterpieces.
invented his own bold new mode of relief in his marble panel " St. George Killing The Dragon" (1416-1417). The technique involved shallow ...

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including several works of bronze. The earliest and most important of these was the "Feast of Herod" (1423-1427). He also made two statuettes of Virtues and then three nude child angels (one which was stolen and is now in the Berlin museum). These statues prepared the way for the bronze statue of David, the first large scale, and freestanding nude statue of the Renaissance. It was the most classical of Donatello's works and was done for a private patron. Its recorded history begins with the wedding of Lorenzo the magnificent in 1469, when it was placed in the courtyard of the Palazzo Vecchio.
Whether the "David" was requested by the Medici or not, Donatello worked for ...

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