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Henri de Toulouse-Lautrec - College Essay

Henri de Toulouse-Lautrec

Anna Siracusa
Henri de Toulouse-Lautrec
Lincoln College Online

One of my favorite movies of all time is Moulin Rouge. I have seen it a million times! The vast array of colorful characters is so intriguing and it is simply a good story. What I did not realize is that the setting is based on a true story and real people. I was always curious about the character called Toulouse-Lautrec played by John Leguzamo. I assumed he was a little person with an eccentric personality that added a bit of color to the story. When I started my search for an artist from the Impressionist or Post-Impressionist era in art history, I came across Henri de Toulouse-Lautrec and learned that the ...

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2009) I like the casual nature of his art. He seemed to capture the good times in regard to Montmartre and the Moulin Rouge but you can still see the underlying sadness of some of his subjects. I think that the sadness in some of his work is shown due to his honest portrayal of his subjects. For the simplistic nature of his work, he is able to make you look for a bigger meaning behind them. As I read more about Henri de Toulouse Lautrec, I learned that he lived his life to the fullest the only way he knew how but there was a tremendous amount of underlying sadness that he covered with alcohol.

Toulouse-Lautrec had a rough start in life. He was born into an aristocratic family and was the first born child of Comte Alphonse and Comtesse Adele de Toulouse-Lautrec. His father was known to be eccentric with unpredictable behaviors such as washing his socks in the river, wearing odd costumes while hunting or even disappearing for long periods of time. Toulouse-Lautrec was ...

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teacher was a Lautrec family friend, Rene Princeteau who was known for military and equestrian subjects in a 19th-century academic style. He then moved on to the instruction of Leon Bonnat towards the end of 1882. Bonnat was "an artist who fought vehemently against deviation from academic rules, condemned the slapdash approach of the Impressionists, and judged Toulouse-Lautrec's drawing 'atrocious.' His work received a more positive reaction in 1883, when he joined the studio of Fernand Cormon." (Birnholz, 2009) Even though Corman allowed Toulouse-Lautrec to be free in developing his own style, he still felt restricted. "Cormon's corrections are much kinder than Bonnat's were, ...

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PAPER DETAILS
Added: 1/11/2013 05:40:24 PM
Submitted By: annainco
Category: Arts
Type: Premium Paper
Words: 1833
Pages: 7

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