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How Does US Popular Culture Present the Communist Threat? - College Essay

How Does US Popular Culture Present the Communist Threat?

How Does US Popular Culture Present the Communist Threat?

United States pop culture instigated identification with the anti-Communist cause through presenting Communism as an affront to the American dream, the Catholic church, and the patriarchal order. This conservative bent exemplifies how the dominant values represent a return to the conservative values of the past. By advocating conservative values, pop culture retreated from the more anarchistic dominant genres of the 1940s, the film noir and the family melodrama: two genres that explored the breakdown of the patriarchal order. In lieu of the noir and melodrama, pop culture, especially television, “offered a bland menu of quiz ...

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the Communist threat, films such as Red Planet Mars (1952) and television shows such as “I Led 3 Lives” filter the American anti-Communist effort through the defeat of Communist-controlled technology and the restoration of the conservative American Dream. Both Red Planet Mars and “I Led 3 Lives” portray the Communist threat as threatening the status quo of the American dream, stable domesticity, and the patriarchal order. Indeed, the opening of “I Led 3 Lives” exemplifies the Communist threat to Americana. Herbert states that “while the Johnson’s are grilling steaks, you’ve got something else to put on the griddle: a report for [a] special agent.” The manner in which the Communist threat disrupts American domesticity is compounded later, upon Philbrook’s statement that “Margaret is the best short-term babysitter money can buy, but until tonight you’d have never guessed they were Communists.” Since the babysitter represents a suburban figure of protection, the verbal ...

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the Christ painting is the opposite and equal manifestation of an occult mask in Calder’s laboratory, underscoring the dichotomy. The Communist deviation from religious values is literalized by Chris’s statement with regard to Calder that “You’ve got to give the devil his due. Thus, the film ensures American viewer identification with the anti-Communist cause by aligning American domesticity with religious belief and portraying the Communists as anti-religious and diabolical. In lieu of belief in religion, the Communists adhere to technology and the systems of mass communication. Specifically, Calder and the Russian authorities intercept the missives between Chris and Mars.. ...

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PAPER DETAILS
Added: 1/20/2013 02:53:41 AM
Submitted By: rythmlove
Category: Social Issues
Type: Premium Paper
Words: 1626
Pages: 6

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