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Progression Of Islamic Art - Papers

Progression Of Islamic Art


There exist three basic components of traditional Islamic art: calligraphy, geometric patterns, and floral and vegetal motifs. These three stylistic tools are beautifully rendered and masterfully integrated into complex works of art, but there is no question that artistic expression is severely limited under these categorizations. However, this limitation stems from Islamic theology and concept of art. The main reason for the limitation imposed on visual art is the Islamic theological prohibition of figural imagery. Social laws presented in the Hadith prevented the representation of figures because any imitation was deemed idolatrous. Also, art is considered to be decorative and ...

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assimilated artistic styles did utilize figural imagery, yet they still reflected the traditional artistic components of Islam. The introductory plaque at the entrance of the Islamic Art collection at the Metropolitan Museum of Art states that Islamic art is characterized by ‘stasis,’ and that even assimilated foreign styles have “always retained its intrinsic quality and unique identity.” The beautifully rendered book miniatures of the Shahnama of Shah Tahmasp illustrate this last point wonderfully. The Shahnama, translated as “The Book of Kings,” is an Iranian national epic penned by the poet Firdausi between 975-1010 AD. Centuries later, it became the custom for shahs to have their own personal copy of the Shahnama. This naturally transformed the quality of the book into measurement of status. The second shah of the Safavid dynasty, Tahmasp, was a great patron of the arts. Not only did he have his copy ornamented with gold, silver, rich colors, and exquisite ...

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the text. This is consistent within popular Islamic thought. Walter Denny writes that objects were decorated with sacred script for it was thought to “invoke good wishes on the owners of pottery and metalwork, and kept the evil eye from thresholds and hearths.” Consequently, Allah is present in the “Sufarai” miniature not through a figural image, for that would extremely blasphemous, but through the written text. This is similar to the western tradition of using mysterious or divine light to represent God without a figural image. Therefore, the placement of the text over the picture alludes to Allah’s descending or presiding over the miniature. The divine words, which are only ...

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PAPER DETAILS
Added: 1/6/2007 08:11:42 PM
Category: American History
Type: Premium Paper
Words: 1298
Pages: 5

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