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Romanticism: Grande Odalisque - Research Paper

Romanticism: Grande Odalisque

At the end of the Baroque Period in the eighteenth and nineteenth century art was divided into two distinct categories, Romanticism and Realism. Romanticism, the passion-filled works illustrating stimulating accounts of specific events with symbolic gestures emerging from the scene, separated itself from the more politically correct stance taken by Realists.
A fine example of Romanticism is Géricault’s Raft of the Medusa. The brutal scene, set afloat on the wild seas, is emphasized by the chiaroscuro modeling of the lump of figures in the center of the raft. The X form of the composition draws your eye all around the composition. The eye starts at the top right with the Revolutionary ...

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example such as the Mannerist Parmaganino’s Madonna with a long neck, takes the artistic license to elongate the figure of this Turkish harem girl. Influenced by the neo-classical revival Ingres draws upon the Greek technique of flat linear forms and depicts his model in an impossible position allow us the view of both her shoulders and her breast; the figure is given an extra three vertebrae in order to maintain this position. Ingres endows a feeling of sensuality into the figure instead of the paint. The chromatic effect of the composition pulls the harem girl to the front as she is the only warm color in the piece. Ingres also gives her a very exotic feel with her accessories: the peacock fan, velvet drapes, and other exorbitant furniture. Ingres also uses Raphael’s typical female head and a gaze that says, “You have just interrupted me,” but you don’t know what you interrupted further intriguing the voyeur.
In contrast to the almost mystical passion and intrigue of Grande ...

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Romanticism: Grande Odalisque. (2008, February 13). Retrieved January 22, 2025, from http://www.essayworld.com/essays/Romanticism-Grande-Odalisque/78984

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PAPER DETAILS

Added: 2/13/2008 03:46:10 PM
Category: Arts
Type: Premium Paper
Words: 912
Pages: 4

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