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Rome-Open City: Death Of Pina - Research Paper

Rome-Open City: Death Of Pina

In Roberto Rossellini's film Rome-Open City (1945), the death of Pina is made all the more affecting by the comic scene that precedes it. The way the film veers between comedy and tragedy emphasizes the paradoxes of life, specifically of life under the Nazis. The comedy recalls that the people are human beings and react as human beings, and the tragedy shows how their lives have been changed and distorted by German rule. The death of Pina is both needless and a reference to how twisted life has become in an occupied city.
In the sequence immediately preceding the death of Pina, the priest finds the guns in the old man's room and tells the old man to pretend to be asleep, but the old ...

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the tone is continued as Pina comforts the crying woman. A soldier watches and then tries to make up to Pina, who slaps him away. When the fascists drag Francesco out and put him in the back of a truck, Pina calls to him, fights off the soldier, and runs down the hall to the street, pushing past guards to do so. The priest tries to hold her back, but she breaks free and runs into the street, toward the camera as it sits on the back of the moving truck. Pina is shot down as she chases the truck, right in front of her son, and she falls into the street, exposing her stockings and lying in the dirt. The needlessness of this shooting is obvious--she could never catch the truck and could do nothing if she did, yet she is shot down as if she were a threat. In the very next scene, the underground attacks the convoy of trucks and frees Francesco and the others, emphasizing anew what a waste Pina's death has ...

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PAPER DETAILS
Added: 9/11/2015 05:47:24 AM
Category: Film & Theater
Type: Premium Paper
Words: 408
Pages: 2

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