Cultural Inheritances In Polyn
The poetical work of Albert Wendt, Apirana Taylor,
Alistair Te Ariki Campbell, Hone Tuwhare, Keri Hulme,
Gloria Rawlinson, J. C. Sturm, and Roma Potiki all have
voices that are informed by and reflect their Polynesian
cultural inheritances in various ways. The main ways in
which these inheritances can be seen to be reflected, is by
showing the poets’ inclusion of their culture’s mythology,
customs, and civilisation. The way in which these poets’
voices have been informed by their cultures, can be seen
with describing the way these poets address their culture’s
concerns.
Albert Wendt was born in Western Samoa. The reflections
of his Polynesian cultural ...
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is
a demigod who is used to tell of many stories.
There are also reflections of Polynesian cultural
inheritances in Hone Tuwhare’s use of mythology in his
poetry. Tuwhare was born in Kaikohe, and belongs to the
Ngapuhi hapus Ngati Korokoro, Ngati Tautahi, Te
Popoto, and Uri-O-Hau. In his poem ‘Papa-tu-a-nuku’, he
uses Maori mythology. The title, ‘Papa-tu-a-nuku’, means
‘Earth Mother’, which is part of a number of nature’s
elements that are personified in Maori mythology. Hense,
the earth being personified as a mother, and the content of
the poem involving this interaction with the earth:
We are massaging the ricked
back of the land
with our sore but ever-loving feet:
hell, she loves it!
Squirming, the land wriggles
in delight. (p242)
The reflections of Polynesian cultural inheritances are also
evident in Apirana Taylor’s use of Maori mythology.
Taylor is ...
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civilisation of their culture. This is evident in the poetry of
Tuwhare; such as in ‘Tangi’. A Tangi is the maori meaning
for a funeral, which is a traditional ritual that Maoris
undertake with the goodbyes and burial of the dead. The
“bowed heads / of old women” (p237) invokes an image
that is synonymous with a Tangi. In the poem ‘Dear
Cousin’, there is reference to food (or ‘kai’) that is
synonymous with Maori’s preference for such. This
includes Puha, Kamokamo, riwai, etc, which is represented
in the following extract: “and on it place a steaming pot of
puha, / kamokamo, riwai.” (p245)
The poetry of Keri ...
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Cultural Inheritances In Polyn. (2008, May 1). Retrieved December 23, 2024, from http://www.essayworld.com/essays/Cultural-Inheritances-In-Polyn/82956
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"Cultural Inheritances In Polyn." Essayworld.com. May 1, 2008. Accessed December 23, 2024. http://www.essayworld.com/essays/Cultural-Inheritances-In-Polyn/82956.
"Cultural Inheritances In Polyn." Essayworld.com. May 1, 2008. Accessed December 23, 2024. http://www.essayworld.com/essays/Cultural-Inheritances-In-Polyn/82956.
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