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Henri Cartier-Bresson - College Essay

Henri Cartier-Bresson

Ryan Crossman
Photo Tues, Thur

Henri Cartier-Bresson

Cartier-Bresson was born in Cantaloupe-en-Brie, Seine-et-Marne, France, and the eldest of five children. His father was a wealthy textile manufacturer, whose Cartier-Bresson thread was a staple of French sewing kits. His mother's family were cotton merchants and landowners from Normandy, where he spent part of his childhood. The Cartier-Bresson family lived in a bourgeois neighborhood in Paris, near the Europe Bridge. They were able to provide him with financial support to develop his interests in photography in a more independent manner than many of his contemporaries. Cartier-Bresson also sketched in his spare time. He ...

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students to attend Lycée Condorcet. The proctor caught him reading a book by Rimbaud or Mallarmé, and reprimanded him: "Let's have no disorder in your studies!" Cartier-Bresson said, "He used the informal 'tu'-which usually meant you were about to get a good thrashing. But he went on: 'You're going to read in my office.' Well, that wasn't an offer he had to repeat."
After unsuccessfully trying to learn music, as a boy Cartier-Bresson was introduced to oil painting by his uncle Louis, a gifted painter. "Painting has been my obsession from the time that my 'mythical father', my father's brother, led me into his studio during the Christmas holidays in 1913, when I was five years old. There I lived in the atmosphere of painting; I inhaled the canvases." Uncle Louis' painting lessons were cut short, when he died in World War I. In 1927, at the age of 19, Cartier-Bresson entered a private art school and the Lhotse Academy, the Parisian studio of the Cubist painter and sculptor ...

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The Surrealist movement (founded in 1924) was a catalyst for this paradigm shift. Cartier-Bresson began socializing with the Surrealists at the Café Cyrano, in the Place Blanche. He met a number of the movement's leading protagonists, and was particularly drawn to the Surrealist movement's linking of the subconscious and the immediate to their work. The historian Peter Galassi explains:
The Surrealists approached photography in the same way that Aragon and Breton...approached the street: with a voracious appetite for the usual and unusual...The Surrealists recognized in plain photographic fact an essential quality that had been excluded from prior theories of photographic realism. ...

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PAPER DETAILS
Added: 4/20/2011 05:02:37 PM
Submitted By: ryancrossman
Category: Arts
Type: Premium Paper
Words: 2632
Pages: 10

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