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How To Make A Movie - College Essay

How To Make A Movie


Imagine a young child, eye level with a floor full of miniature toys, concentrating intently on building a make-believe world. To the child, the toys are not miniature figures made of plastic or wood. They are real characters with real adventures. The child frames the action, crafting scenes that unfold in a world of imagination.
Looking through the lens of a camera as actors bring to life a writer's story, the filmmaker is also peering into a world of imagination. The director, producer, actors, screenwriter, and film editor are all essential players in the journey from concept to finished film. In this remarkable process, thousands of small details-and often hundreds of people-come ...

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something to say. Writers flocked to Hollywood in droves from Broadway and from the worlds of literature and journalism. For a brief time in the 1930s, some of the world's most famous writers wrote Hollywood scripts: William Faulkner, F. Scott Fitzgerald, Bertolt, and Thomas Mann.
In 1932, William Faulkner earned $6,000 in salary and rights for a story, a substantial of money at the time. Just five years later, F. Scott Fitzgerald earned $1,250 per week, more money than he had ever earned in his life (Brady, 1981, 26) , and enough to get him out of the serious debt he had fallen into. Despite generous pay, the conditions


under which these world-renowned writers labored were anything but ideal. Hollywood was a factory system, churning out movies at a furious pace. Screenwriters found themselves at the bottom rung of the studio ladder.
By the end of World War II, screenwriters were complaining about their place in the Hollywood machine. Leonard Spigelgass, editor of Who ...

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the studio system. Even so, some left the security and good pay of the studio to freelance for whoever held the reins-studios, stars, or other players. By the late 1940s, screenwriting was a lucrative occupation.
Screenwriters today are important and often powerful players in the filmmaking process. They are paid as well as directors and producers are, and their work is considered an art. Screenplays are often published and sold to the general public in bookstores just like novels and plays. (Malkiewicz, 1992, 33).

Chernin 3
Though rare in the 1930s and 1940s, many screenwriters today are asking to direct in order to guide their script through the filmmaking process. The number of ...

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PAPER DETAILS
Added: 8/3/2004 01:58:08 PM
Category: American History
Type: Premium Paper
Words: 3999
Pages: 15

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