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Imagery In Waiting For Godot - Online Essay

Imagery In Waiting For Godot

End Of Your Rope - Waiting For Godot
Interpersonal relationships are extremely important, because the interaction of the characters in Samuel Beckett's Waiting for Godot as they try to satisfy one another's boredom, is the basis for the play. Pozzo's and Lucky's interactions with each other form the basis for one of the play's major themes. The ambivalence of Pozzo's and Lucky's relationship in Waiting For Godot resembles most human relationships. Irritated by one another, they still must function together. References to their relationship are generally couched in rope images. Physically present and other wise implied, visible and invisible,involving people as well as inanimate objects, ...

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Lucky's behavior, Pozzo says, "Why he doesn't make
himself comfortable? Let's try and get this clear. Has he not the right to? Certainly he has. It follows that he doesn't want to...He imagines that when I see how well he carries I'll be tempted to keep him on in that capacity...As though I were short of slaves. Despite his miserable condition, Lucky does not seem to desire change. Perhaps he is happy, or maybe not miserable enough. Perhaps, as the compliant Vladimir and Estragon, he cannot envision himself any differently. The relationship between Pozzo and Lucky does not, however, stagnate at this point. The very next day, when the two next appear, the rope between them is significantly shorter so that the now-blind Pozzo may find his way. In this new situation, it is less clear which character leads the other, or if either one is truly in control. As the stage directions read, "Pozzo is blind...Rope as before, but much shorter, so that Pozzo may follow more easily." For the first ...

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Imagery In Waiting For Godot. (2007, March 29). Retrieved October 16, 2025, from http://www.essayworld.com/essays/Imagery-In-Waiting-For-Godot/62562

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PAPER DETAILS

Added: 3/29/2007 10:52:30 PM
Category: English
Type: Premium Paper
Words: 822
Pages: 3

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