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Masaccio: The Holy Trinity - Paper

Masaccio: The Holy Trinity

The Holy Trinity by Masaccio was done approximately 1428. It is a superb example of Masaccio's use of space and perspective. It consists of two levels of unequal height. Christ is represented on the top half, in a coffered, barrel-vaulted chapel. On one side of him is the Virgin Mary, and on the other, St. John. Christ himself is supported by God the Father, and the Dove of the Holy Spirit rests on Christ's halo. In front of the pilasters that enframe the chapel kneel the donors (husband and wife). Underneath the altar (a masonry insert in the painted composition) is a tomb. Inside the tomb is a skeleton, which may represent Adam. The vanishing point is at the center of the masonry altar, ...

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fascinated many artists of the Renaissance and Baroque periods.
The proportions in this painting are so numerically exact that one can actually calculate the numerical dimensions of the chapel in the background. The span of the painted vault is seven feet, and the depth is nine feet. "Thus, he achieves not only successful illusion, but a rational, metrical coherence that, by maintaining the mathematical proportions of the surface design, is responsible for the unity and harmony of this monumental composition." Two principal interests are summed up by The Holy Trinity: Realism based on observation, and the application of mathematics to pictorial organization.
All of the figures are fully clothed, except for that of Christ himself. He is, however, wearing a robe around his waist. The figure is "real"; it is a good example of a human body. The rest of the figures, who are clothed, are wearing robes. The drapery contains heavy folds and creases, which increases the effect of ...

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Masaccio: The Holy Trinity. (2005, August 26). Retrieved January 22, 2025, from http://www.essayworld.com/essays/Masaccio-The-Holy-Trinity/32301

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PAPER DETAILS

Added: 8/26/2005 10:18:47 PM
Category: American History
Type: Premium Paper
Words: 944
Pages: 4

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