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Movies: A Thematic Analysis Of Alfred Hitchcock's Psycho - Paper

Movies: A Thematic Analysis Of Alfred Hitchcock's Psycho



Alfred Hitchcock's Psycho has been commended for forming the
archetypical basis of all horror films that followed its 1960 release. The mass
appeal that Psycho has maintained for over three decades can undoubtedly be
attributed to its universality. In Psycho, Hitchcock allows the audience to
become a subjective character within the plot to enhance the film's
psychological effects for an audience that is forced to recognise its own
neurosis and psychological inadequacies as it is compelled to identify, for
varying lengths of time, with the contrasting personalities of the film's main
characters. Hitchcock conveys an intensifying theme in Psycho, that bases itself
on the unending ...

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that the city and room
were arbitrarily identified impresses upon the audience that their own lives
could randomly be applied to the events that are about to follow.
In the opening sequence of Psycho, Hitchcock succeeds in capturing the
audience's initial senses of awareness and suspicion while allowing it to
identify with Marion's helpless situation. The audience's sympathy toward Marion
is heightened with the introduction of Cassidy whose crude boasting encourages
the audience's dislike of his character. Cassidy's blatant statement that all
unhappiness can be bought away with money, provokes the audience to form a
justification for Marion's theft of his forty thousand dollars. As Marion begins
her journey, the audience is drawn farther into the depths of what is
disturbingly abnormal behaviour although it is compelled to identify and
sympathize with her actions.
It is with Marion's character that Hitchcock first introduces the notion
of a split personality to the audience. ...

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The
suspicion and animosity that Marion feels while at the motel is felt by the
audience. As Marion shudders while hearing Norman's mother yell at him, the
audience's suspicions are heightened as Hitchcock has, at this point, made
Marion the vital link between the audience and the plot.
The initial confrontation between Marion and Norman Bates is used by
Hitchcock to subtly and slowly sway the audience's sympathy from Marion to
Norman. Hitchcock compels the audience to identify with the quiet and shy
character whose devotion to his invalid mother has cost him his own identity.
After Marion and Norman finish dining, Hitchcock has secured the audience's
empathy for Norman and the audience ...

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Movies: A Thematic Analysis Of Alfred Hitchcock's Psycho. (2004, November 20). Retrieved March 28, 2024, from http://www.essayworld.com/essays/Movies-Thematic-Analysis-Alfred-Hitchcocks-Psycho/17790
"Movies: A Thematic Analysis Of Alfred Hitchcock's Psycho." Essayworld.com. Essayworld.com, 20 Nov. 2004. Web. 28 Mar. 2024. <http://www.essayworld.com/essays/Movies-Thematic-Analysis-Alfred-Hitchcocks-Psycho/17790>
"Movies: A Thematic Analysis Of Alfred Hitchcock's Psycho." Essayworld.com. November 20, 2004. Accessed March 28, 2024. http://www.essayworld.com/essays/Movies-Thematic-Analysis-Alfred-Hitchcocks-Psycho/17790.
"Movies: A Thematic Analysis Of Alfred Hitchcock's Psycho." Essayworld.com. November 20, 2004. Accessed March 28, 2024. http://www.essayworld.com/essays/Movies-Thematic-Analysis-Alfred-Hitchcocks-Psycho/17790.
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PAPER DETAILS
Added: 11/20/2004 02:24:34 PM
Category: Arts
Type: Premium Paper
Words: 1490
Pages: 6

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