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On Man Ray’s Violin D’Ingres - Online Term Papers

On Man Ray’s Violin D’Ingres

Man Ray’s Violin D’Ingres is a perfect example of a modernist photograph. Man Ray pushes both how photography is perceived and what is possible within a photograph in this example. Man Ray himself was an American, born as Emmanuel Rudnitsky, but moved to Paris and engaged in very non-American photography. Europe lacked the American ideals about what “strait photography” should be. While American schools of photography believed that an art photograph should only be made with a large negative with maximum depth of field, Europeans were busy experimenting with new uses of the medium as well as experimenting with altering the image in serious ways to change the meaning.
Man Ray was born ...

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period in photography’s history in terms of quantity produced and variety. Modernism in Europe was busy tackling new subject matter and expressing itself in every way possible. Images were manipulated in ways foretelling of much of photography’s future, including what is so possible digitally. However, the most important thing is perhaps that this movement was embodied by the belief that expressing yourself in anyway is possible. In other photography movements previously, large groups of people tended to represent similar ideas.
Technically, Man Ray has been known to take use of many formats available to him. He practiced a form of art similar to Photogenic Drawings as well as collage and montage. Determining the technique used in construction of this photograph is difficult, the book makes no mention of it and the photograph is reproduced most likely scaled. It looks as if the negative could have been medium format roll film or large format with the violin’s f-holes burnt ...

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On Man Ray’s Violin D’Ingres. (2006, March 26). Retrieved October 22, 2025, from http://www.essayworld.com/essays/On-Man-Rays-Violin-DIngres/43359

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PAPER DETAILS

Added: 3/26/2006 03:15:37 AM
Category: American History
Type: Free Paper
Words: 968
Pages: 4

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