Warning: Use of undefined constant referer - assumed 'referer' (this will throw an Error in a future version of PHP) in /usr/home/essaywo/public_html/essays on line 102

Warning: Use of undefined constant host - assumed 'host' (this will throw an Error in a future version of PHP) in /usr/home/essaywo/public_html/essays on line 105

Warning: Cannot modify header information - headers already sent by (output started at /usr/home/essaywo/public_html/essays:102) in /usr/home/essaywo/public_html/essays on line 106

Warning: Cannot modify header information - headers already sent by (output started at /usr/home/essaywo/public_html/essays:102) in /usr/home/essaywo/public_html/essays on line 109
The Painting Of Pygmalion And Galatea: A Sensual Embrace - Online Term Paper

The Painting Of Pygmalion And Galatea: A Sensual Embrace

In Greek mythology, the story of Pygmalion and Galatea tells of a Cypriot sculptor who creates a lifelike statue of his ideal of womanhood. Pygmalion, the sculptor, names his beautiful statue Galatea and begins to imagine her as real, eventually falling passionately in love with her. He becomes tormented by his love and prays to Aphrodite, the Goddess of Love, to give him a wife in the image of Galatea. Aphrodite, feeling compassion for young Pygmalion, gives life to Galatea. The story has a happy ending as now Pygmalion consummates his love for Galatea and lives eternally by her side.
Jean-Léon Gérôme's academic styling has captured the moment when Galatea comes to life in his ...

Want to read the rest of this paper?
Join Essayworld today to view this entire essay
and over 50,000 other term papers

suddenly he felt her flesh tremble. Gérôme's illustration suggests that Pygmalion, after realizing Galatea was no longer a lifeless slab of stone, dropped the mallet and rushed to her side, instantaneously taking her into his arms.
It is evident that Galatea's form is no longer that of a lifeless sculpture. Her plain, ivory skin and sinuous curves are seen from a backside view. Her lower body remains stone-like and chalky, but the oblique right angle of her torso suggests movement and is given life with the added blush coloring. Her left elbow is uplifted, and her hand gently encloses the sculptor's right hand at her side, as if in a grateful gesture. Her right arm encircles Pygmalion's upper shoulders, and she is gracefully leaning over to Pygmalion in receipt of his kiss. Her silky, ebony hair is swept up in a simple fashion.
Pygmalion is seen in a darker contrast wearing a Greek tunic, steel blue in color. He has thick, wavy, chestnut hair and his skin is tanned and ...

Get instant access to over 50,000 essays.
Write better papers. Get better grades.

Already a member? Login

CITE THIS PAGE:

APA
MLA
Chicago
Turabian

The Painting Of Pygmalion And Galatea: A Sensual Embrace. (2007, June 28). Retrieved January 13, 2026, from http://www.essayworld.com/essays/The-Painting-Pygmalion-Galatea-Sensual-Embrace/67176

"The Painting Of Pygmalion And Galatea: A Sensual Embrace." Essayworld.com. Essayworld.com, 28 Jun. 2007. Web. 13 Jan. 2026. <http://www.essayworld.com/essays/The-Painting-Pygmalion-Galatea-Sensual-Embrace/67176>

"The Painting Of Pygmalion And Galatea: A Sensual Embrace." Essayworld.com. June 28, 2007. Accessed January 13, 2026. http://www.essayworld.com/essays/The-Painting-Pygmalion-Galatea-Sensual-Embrace/67176.

JOIN NOW

Join today and get instant access to this and 50,000+ other essays

PAPER DETAILS

Added: 6/28/2007 07:16:31 PM
Category: Arts
Type: Premium Paper
Words: 775
Pages: 3

Save |

Report

SHARE THIS PAPER

SAVED ESSAYS

Save and find your favorite essays easier